X marks the spot. The phrase originates from the early days of press photography where the scene of a crime was marked with the letter X. So when I look up Cathkin Braes on Harry Bell’s Glasgow Network of Aligned Sites, I’m intrigued to find a large X crossing the site, situated – it’s claimed – on the thirteenth hole of the Cathkin Braes golf course.

One line of the X passes through the Camphill Earthwork from...

After a long cold winter, I return to my shedquarters. On the desk sits a forlorn catalogue – Witness to Mortality, published in 1997 to coincide with an exhibition by Joseph McKenzie, a photographer famed for his iconic Gorbals Children. On the cover is a bleak landscape titled The New Lifestyle 2 (Red Road Flats Newly Opened). Shot in 1968, the black and white image shows a long, empty road, slick with rain, where a solitary vehicle drives towards...